Japan isolated themselves from most of the world under
the policy of sakoku, limiting its contact with foreign nations to preserve the
Japanese way of life – until Americans forced the opening of Japanese ports
with “gunboat diplomacy”
But the Japan of Toru
the Wayfarer is different – this is a Japan where Toru, a traveller,
returned to Japan from the west with a warning – and guides to technology that
may save Japan and keep her independent: able to say no to the inevitable
arrival of foreigners
While this book was advertised as a steam punk, I think
it is much better termed an alternate history since, beyond a few dirigibles
and dubious submarines, there’s little steampunk element
This book looks at what would have happened if Japan had
managed to industrialise and arm itself with modern weaponry before Commodore Perry
forced the opening of Japan to trade and the end of the Sakoku isolationist
policy that Japan
The book contains a lot of historical references and
research drawing on actual events of the time as well as actual daimyos who
were present and involved in Japan at the time. It includes a lot of history of
Sakoku and policies around it.
We follow the story of how Toru, returning to Japan after
visiting America – back when it was illegal to do so and returning from abroad
carries the death penalty under the isolationist policy. He brings with him
lots of information from the west including a whole lot of guidance on
technology and weapons – and the warning that the Americans are coming. There
is a lot of references to the Unequal Treaties and stark warnings using China
as an example of how a mighty, ancient and great nation in the world can be
utterly abused by predatory treaties forced on them by gunboat diplomacy.
While Toru is certainly bringing in western technology
and knowledge to help “save” Japan, there is a definite emphasis on the
Japanese working together, working to keep themselves independent and free from
brutal unequal treaties. This is not a white saviour narrative, every character
in this book – except the late arriving western threat – are all Japanese and
there’s even an attempt to at least make the names of the technology they’re
adopting to fit Japanese pronunciation and word structure. There’s also a major
point that the technology would be adapted to Japanese ways – for example,
introducing sewing machines doesn’t mean that they’re going to produce western
clothing – they will make yukata and hakama. To quote:
“Technology serves
a culture but need not define it.”
In addition to Toru we have his two very good friends who
do a lot to help him: Jiro, a peasant Blacksmith who had to overcome classism
to be able to meaningful be involved and truly help and contribute to the
movement. His skills were utterly essential to the overall success. The same
applies to Lord Aya’s daughter Masuyo whose skills are just as essential to the
movement succeeding who faces the full stifling pressure of the rigid gender
roles expected of her. It’s good to see both of these representing different
oppressions to overcome to add their essential skills to the movement
What kind of makes this book a little dull to me is how
simple it is. Everything is resolved far too quickly, far too easily and with
so little actual real conflict and no real negative consequences or fall out
Part of this is because Toru seems to have – without it
being depicted – a kind of legendary mind-controlling charisma that I haven’t
seen since the absolutely awful Sword of
Truth series. He achieves amazing things, changes the minds of Daimyo so
very quickly, easily and almost universally. He speaks to people and lord after
lord are just willing to complete over turn their entire culture. We’ll have a
brief protests – no woman can’t be engineers! And then women are engineers. No
peasants can’t be warriors only samurai can be. And then we have peasant
soldiers. They need to convert more lords to the cause… and they convert.
This also applies to Jiro and Masuyo – in theory we would
see them battle and succeed against classism and sexism in their society – but it’s
just so simple and easy that there’s no conflict there, just bang, oh look she’s
running around in trousers now and Jiro is an airship captain! Centuries of
rigid oppression dealt with!
I’m not even including the simplistic idea that a collection of books Toru managed to pack is his luggage contained enough information to allow a complete industrial revolution on a grand scale – from inventing trains, connecting half of Japan with train tracks, inventing and mass producing air ships and submarines all within a year at most. I mean, yeah that’s pretty extremely dubious but I’m willing to overlook that because fiction and incredible genius characters are not uncommon protagonist or main characters.
But the sheer willingness of everyone but the Shogun (who
is pretty much ineffectual because of actual historical health issues – again kudos
for the research) to jump on board Toru’s plan with no real objection, hold
outs or resistance. It’s so simple – this is a huge political and cultural
upheaval, changing centuries of tradition and their way of life – and everyone’s
kind of “sure!”. The one time there’s any question of some shakiness is one
lord who seems willing to take the new technology and launch an imperialist war
of aggression – but one speech from Toru and he completely drops it.
When the whole book is about a major cultural change I’d
expect some actual consequences to that rather than just “look at the shiny
toys we’re making”
And what about the actual consequences of rapid industrialisation.
Within a year most of Japan has train tracks and telegraph wires. People are
being trained in engineering and more and more manpower is heading to the
factories.
This is not simple – look at most examples of historical industrialisation,
it is rarely a painless process. There’s no mention of a corresponding
agricultural revolution (which generally itself comes with a lot of upheaval of
seized land etc) so how is this country still feeding itself as all of these
food producing peasants now working in factories? How are these lords –
including the main daimyo, Lord Aya, who is describes as poor, even managing to
pay for all of this labour and resources? Especially in a nation that already
has very limited trade. Even all these blacksmiths being called in to the
factories – if a huge number of villages lose their blacksmiths, this has
consequences.
This book covers a vast change of the labour force, the
national wealth, industry, training, economy, culture, history, tradition all
within an incredibly short time – and it all goes so ridiculously smoothly it’s
actually annoying. This simplistic nature of this book is frustrating because
this is the POINT of the book. The whole book is covering an alternate world
where Japan industrialised before Commodore Perry forced the end of Sakoku: if
you’re going to write this book then why not actually write it? Why miss out
the very elements that would make this complex, interesting and fascinating?
Without this all I can assume is this is a prequel for the actual steampunk to
come in future books.
