A man wakes up, face down in the pool with a bullet wound
in his chest. He doesn’t remember his name, his life or how he got there – or how
he died. Or how he’s still walking around.
He is a zombie and he has so much to learn about that – a
full list of questions in fact. As he learns how to survive as an alcohol
soaked member of the undead he finds his habit of asking questions sets him up
to solve many other cases.
Braineater Jones, zombie PI, with many questions, few answers and a whole whacky noir world to navigate.
This book gets definite points for originality. Sentient
zombies – but sentient rotting zombies, sentient rotting zombies with a
shelf-life, memory issues and a society which semi-acknowledges them but only
to put them on the very bottom of the social ladder. It’s definitely an
interesting concept
That setting is the late 1920s/early 1930s and has a very
film noir setting with shades of Prohibition (prohibition is over but the town
is still dry) which is especially difficult for the zombies who need alcohol to
keep their mental facilities. Without which they degrade quickly and become
braineaters, marauding monsters of movie legend. Which is a fate that awaits
them eventually anyway as their bodies and minds rot
This makes Braineater a slur among their community and
more than one vampire is outraged by Jones, who doesn’t remember much or
anything of his human life, chooses to use it as a name.
The story itself is very very twisty in classic Noir
style. We have shocks and surprises. We have twists and turns. There’s lots of double
crossing and lots of misdirection and lots of people being the complete
opposite of what you expect them to be. The whole idea of what’s being explored
and examined changes from chapter to chapter with Jones both desperately trying
to drag up some memories of his past life, some indication of who he was and
why he died – or who killed him since he has a big bullet hole. Throwing in
just learning what it means to be a zombie on tip of that – there’s a lot to
get through.
And that’s something of the problem. There’s a lot to get
through and the book isn’t that long and we just sprint through it all. Along
the way we kind of lose things like motivation, development or exploration. I
don’t know why Jones has decided to become a detective. He doesn’t exactly do a
lot of work to figure out who he was nor to really try and regain his memories.
He becomes super suspicious about people and I’m not quite sure where the
suspicion comes from. He develops friendships and positions where I’m not sure
where they’ve come from and many of them apparently become passionate and deep
very quickly.
It feels like we have an excellent book, or even an
excellent series of books, with complete interesting world building and a
really twisty complex storyline. But then it felt like an over-eager editor
decided to cut huge chunks of development and exploration from the book leaving
it all a bit too fast and just a bit hollow and unsupported in places.
Interestingly this book has a preamble from the author in
which they are conscious that this story is written at a time where prejudices
were overt and common and that the voices of the characters reflect that.
Basically it has a foreward warning that recognises and cautions that overt
sexism, homophobia and racism will be present in this book to reflect the time.
It’s interesting and positive to have this kind of warning at the front of the
book and an overt acknowledgement that this language is harmful to people.
At the same time it’s almost surprising because I have
read waaay worse without the “excuse” of a historical context – it’s almost
like the warning should be in another book. Sure the language is far from
appropriate but largely not gratuitous in its references. I appreciate the
warning but have to say the book itself, which contains POC and bisexual people
and women, doesn’t apply anachronistic acceptance but nor does it really revel
in the bigotry it could. There are Black characters, a fairly major Latino
character, a bisexual protagonist and some powerful women.
However, there are problems and these problems are
glaringly not addressed by the warning either. The warning would explain why
people use racist terms to refer to a Black character. Not why that Black
character acts like someone contacted central casting for a “Black pimp”. You
can have characters refer to women in objectifying and sexist terms because of
the era and attitudes – but when we have a brothel that reduces zombie women to
body parts to be used interchangeably – that’s not attitudes, that’s a
depiction of characters that way. There’s a different between depicting
prejudiced opinions and having reality present those opinions as truth.
The protagonist is very belatedly presented as bisexual
after a book of only being attracted to and having sex with women – after he
finally gets his memory back he recognises he was in a relationship with a man –but
even then he makes it clear his attraction is almost entirely for women but
said man was very very rich (and largely absent from the book)
Through the book we have strong metaphors for class and underclass that are very powerfully depicted, with us clearly seeing the zombies as they are treated as non-citizens. On top of that we still have depictions of, for example, the Haitian community that still face considerable poverty and exploitation even when depicted in a villainous role.
So conclusion on this book? It has a somewhat diverse
cast albeit far from well done but with an awareness of these issues. It has a
lot of humour and is repeatedly and genuinely amusing. I don’t think I ever
laughed out loud but I definitely grinned and smiled a lot. But most of all I
have to praise the originality of this world. The noir, the humour, the world
setting, the whole idea of alcohol as a preservative, the inevitability of
death, the oldest member of the zombie community is definitely surprising as
well as the looming destruction that lurks over zombies. This is new. This doesn’t
even come close to anything I’ve read before and that is worth a whole lot of
points right there. For novelty alone, I’d pick up this book – and I’d stay for
the humour, the amusement and the really twisty story. But it needed more – we needed
more to see Jones as a PI to have him established. He needed more cases, more
time to get into this world, more time to show his strengths, more time to show
why anyone cared about him.
