Santanico opens with a nifty voice over of her history –
and how she is free. Big bads are coming for her – and she’s coming for them.
It sounds so very epic.
From epic we go to a meat packing plant which does not
look pleasant – tired workers, unsafe working conditions and a terrible boss
who is happy to sexually harass his workers. Only this worker is Santanico who
lets Richie into the plant with a gun. They want to rob him and, surprisingly,
creepy boss Balthasar isn’t that impressed, he knows all about Calebras (snake vampires)
and knows who they are – the rebels after the big boss.
Maybe because he has his own calebros who can spit venom –
which he does, right into Santanico and Reggie’s eyes, knocking them out. Well
that didn’t go well.
This is, of course, another “start the episode in the
damn middle because we can’t be bothered to make it interesting” trope and we
now have to go to the beginning of the story with Reggie and Santanico having
sex with a whole lot of biting and discussing their heist.
It’s all part of Richard’s plan to slowly track down the
big boss – Santanico thinks it’s just an easy matter of finding and killing the
Emperor Malvado, Richard thinks they’re actually going to need to plan and track him
through his network: tedious but necessary. He describes it as a criminal gang
while she describes Malvado as a lord demanding tribute. She does so in
extremely epic terms – she has a flare for the dramatic.
While watching, Richard tries to get Santanico to think
and be cold rather than so emotional. They have apparently also made a rule
about feeding on civilians. They have a conscience it seems. They also have a
damn long winded way of recruiting allies with film trivia. He also has
pointless trivia while giving Santanico pretty jewellery for awkward romance
conversation. I think she seems… conflicted. Perhaps not as ready to accept
their relationship as a relationship.
That day as she contemplates the necklace, while
deliberately putting her hand in sunlight she reminisces Malvado pushing her to
dance while she clearly loathes it.
Back to the present, Santanico and Richie wake up
(apparently early) from the venom and get to killing Calebros (a surreal scene
with the workers in the meat packing plant not noticing with their ear
protection despite the fight happening right next to them)
Over at the strip club, well, business is very slow, as
Scott (newly turned and chained up and abused) is quick to point out to Narcisco,
owner of said club and vampire semi-bigwig. A much more important and menacing
bigwig arrives – Malvado, He knocks Narcisco across the room, furious that he
dared to put on a show without Santanico - he calls it an insult to her, that
this whole palace was hers alone (despite Narcisoc’s protest that they need the
victims this place brings them). To make his unhappiness clear, he tears off
Narcisco’s face. I think he’s abundantly clear with that.
Returning to Santanico and Richie, with the Calebros
killed they take the money – and free the large number of people that had been
captured and imprisoned in one of the trucks. They realise that the strip club
is closed and without the large number of victims it provided, the Calebros in Narcisco/Malvado’s organisation need a new source of blood, hence the people
trafficking. It gives them a new way in
Santanico also gives Richard the bracelet back – she can’t
be “what he needs” until she’s finished her mission to kill Malvado. Oh and
their stupid stupid sidekicks try to doublecross them. Oh silly boys
Afterwards Richie kicks himself for screwing up on the
security tapes and giving someone the means to double cross them – especially the
police still all looking for the Gecko brothers. She declares they need to stop
looking, they need to be stronger and they need to shed the old skin: hey they
have two convenient bodies that they can alter to look like them and fake their
own deaths.
Kate is playing innocent angelic lady while on the run
with Seth who has stolen big scads of cash and nearly got them both arrested.
Kate is outraged… that he nearly got them caught (she is most disapproving that
he let a guy call the cops – amateur!). She wants to be his partner in crime,
especially since his haul is less than impressive. She rips into him quite
epicly for his failure – and she also wants to find her brother, Scott, even
while Seth thinks they should forget about Scott and consider him dead. She
hits his guilt buttons by mentioning Richie and Seth deals with that by
injecting heroin. She helps him – injecting into the bite marks his brother
left in his neck.
While he’s unconscious, she leaves. She goes to a market where
a local is not impressed (taking her to be a patronising missionary) but he
shows her her book which is certainly not a Bible, or not a conventional one.
He takes him to a shrine dedicated to Kisa (meaning sunlight) who he calls a
saviour who consumes sins – it’s Santanico. Kate isn’t impressed and happily
holds her own with the two calebros with her stake and firmly laying down the
rules. She’s looking for her brother and wants to help him deal with being a
calebros – which she assumes is what the
worshippers are going, but the man she’s impressed with her stake tells her
that humans also worship the goddess Kissa.
He also tells her that, basically, not feeding isn’t a
good idea, but he doesn’t usually have trouble finding a meal. He also shows
her a perfectly human man who still preys on others; with the added lesson of
learning when to pick their battles.
While Seth goes to get a tattoo on his neck – and some
fake passports. Again the Gecko name is very well known. He goes back to their
motel and their manager there turns out to be another calebros (and they make
an issue of Kate’s “pure blood”). Is everyone here a Calebros – Seth kills the
manager, seeming to be as strong as him. He hides the killing from Kate.
Over to Richie and Santanico and she does one of her epic
voice overs about changing who they are, becoming who the need to be which not
only feeds into Richie faking their deaths (and Seth’s fake ID) but her
memories of Malvado pushing her to dance, her becoming less awkward and
embracing it – even as he stripped her of her real nake: Kisa.
Malvado reanimates a “warrior” a figure encases in clay.
He describes Santanico as being “taken” by the Gecko brothers (he clearly sees
her as an object, not a person). The warrior goes out hunting in a car with rap
music. He seems to approve.
And in the tunnels under the club, a bearded, haggard man
with a sword still walks – he’s a calebros, but he rips out his fangs.
And policeman Gonzales is still out there and is called
in to the Gecko’s apparent deaths, faked by Richie. He agrees that it’s the
Geckos, but I think he means they did it, since he checks the Richie body for
fangs.
Kate – well my hasn’t she grown. In some ways I think
seeing her walk into the vampire den and threaten everyone should have looked
ridiculous – but maybe it’s just me but I think she managed to pull it off.
There’s a definite edge to her now, but she isn’t a completely new character
with it.
It’s an interesting and somewhat new quest – finding her
brother and not killing him or changing him back – but helping him find a way
to live with himself. It’s a very mature attitude, fully accepting what he is
yet at the same time not giving up on him
Santanico has the potential to be such an interesting
character – but I wonder if they’ll manage to give her her due. So far we’ve
seen some interesting scenes- how she is worshipped and revered even as she is
used and exploited (and perhaps there are worshippers outside of that exploitation).
We’ve seen her pain very dramatically shown including her reservations about
Richie which could be about so much: not wanting to be in a relationship after
being used? Leery of adornment after being treated as a beautiful object for so
long, something pretty to be showed off? Leery of overt shows of wealth when
she’s just described how Malvado is all about treasure and ownership? There’s a
few reasons why Richie’s gift could have fallen flat and I want to see that
delved. I actually hope there’s more to it than simply “I can’t love you until
I’ve killed Malvado” trope
But I also want to see her as intelligent and capable –
not just the incredibly beautiful seductress dealing with her pain and rage:
she’s centuries old yet Richie is the one doing the planning. Ok that might make
sense because of his expertise, but her impatience and lack of planning (or
understanding the need for planning) don’t work so much.
I feel this is going to be the season that may truly engage me - season 1 was far too invested in retelling the films (which, to be honest, I wasn't a fan of) this can now do it's own thing
